Marilyn Nonken performs Morton Feldman's Triadic Memories

Marilyn Nonken performs Morton Feldman's Triadic Memories

Saturday, June 4, 2011 from 8:00 PM to 10:00 PM (ET)

Philadelphia, PA


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Ticket Information

Ticket Type Sales End Price Fee Quantity
General Admission Ended $15.00 $1.81
Students (with ID) Ended $10.00 $1.54
Premium Seating Ended $20.00 $2.09

Event Details

Saturday, June 4; 8pm
Triadic Memories (1981)
Marilyn Nonken, solo piano

AMERICAN SUBLIME opens in the resonant, visually sumptuous, Moorish-style chapel at Congregation Rodeph Sholom. (Secular in outlook, Feldman nonetheless remarked that he wanted to be “the first great composer who is Jewish.”) Feldman’s 94-minute Triadic Memories (1981) is performed by pianist Marilyn Nonken, who has earned praise for her recording on Mode Records. Feldman described this work, possessed of a stately unease, as “a conscious attempt at ‘formalizing’ a disorientation of memory.”

Tickets: $10 - $20

Rodeph Sholom
615 North Broad Street
Philadelphia, PA 19123

7pm preconcert reception by Cafe Olam.

www.americansublime.org

 

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ABOUT THE ARTIST

Marilyn Nonken is one of the most celebrated champions of the modern repertoire of her generation, known for performances that explore transcendent virtuosity and extremes of musical expression. Upon her 1993 New York debut, she was heralded as "a determined protector of important music" (New York Times). Recognized as "one of the greatest interpreters of new music" (American Record Guide), she has been named “Best of the Year” by some of the nation’s leading critics.

Marilyn Nonken's performances have been presented at such venues as Carnegie Hall, Lincoln Center, Miller Theatre, the Guggenheim Museum, IRCAM, the Theâtre Bouffe du Nord, the ABC (Australia), (Le) Poisson Rouge, Cleveland Museum of Art, the Phillips Collection, and the Menil Collection, as well as conservatories and universities around the world. Composers who have written for her include Tristan Murail, Pascal Dusapin, Michael Finnissy, David Rakowski, Jason Eckardt, Liza Lim, Milton Babbitt, Elizabeth Hoffman, and Drew Baker. As a chamber musician, she is the pianist and Artistic Director of Ensemble 21 (New York) and Elision; she also has appeared with the Group for Contemporary Music, MusicNOW (Chicago Symphony), the Chamber Music Society of Lincoln Center, Speculum Musicae, and the Boston Modern Orchestra Project. Festival appearances include Résonances and the Festival d'Automne (both, Paris) and When Morty Met John, Making Music, and Works and Process (all, New York), The Festival of New American Music (Sacramento), Musica Nova (Helsinki), Aspects des Musiques d’Aujourd-hui (Caën), Messiaen 2008 (Birmingham, UK), New Music Days (Ostrava), Musikhøst (Odense), Music on the Edge (Pittsburgh), Piano Festival Northwest (Portland), and the William Kapell International Piano Festival and Competition. Highlights of her 2010-2011 season include performances of Frederic Rzewski’s “The People United Will Never Be Defeated!” (Santiago), Morton Feldman's Triadic Memories, Tristan Murail’s complete piano music (Philadelphia, Vancouver), and Olivier Messiaen’s “Visions de l’Amen.”

She has recorded for New World Records, Mode, Lovely Music, Albany, Metier, Divine Art, Innova, CRI, BMOP Sound, New Focus, Cairos, Tzadik, and Bridge. Her solo discs include "American Spiritual," a CD of works written for her, “Morton Feldman: Triadic Memories,” and “Tristan Murail: The Complete Piano Music.” She appears as concerto soloist in David Rakowski’s Piano Concerto (under Gil Rose) and Roger Reynolds’s “The Angel of Death (under Magnus Martensson). Recent chamber releases include music of William Albright, Charles Wuorinen, and Brian Ferneyhough, as well as Messiaen’s Visions de l’Amen (with Sarah Rothenberg). Forthcoming recordings include works by emerging Americans Drew Baker and Chris Bailey.

A student of David Burge at the Eastman School, Marilyn Nonken received a Ph.D. degree in musicology from Columbia University. Her writings on music have been published in Tempo, Perspectives of New Music, Contemporary Music Review, Agni, Current Musicology, Ecological Psychology, and the Journal of the Institute for Studies in American Music. She has contributed chapters to “Perspectives on French Piano Music” and “Messiaen Perspectives 2: Techniques, Influence, and Reception,” both forthcoming from Ashgate. Currently Director of Piano Studies at New York University’s Steinhardt School, Marilyn Nonken is a Steinway Artist.

When

Saturday, June 4, 2011 from 8:00 PM to 10:00 PM (ET)

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Where

Rodeph Sholom
615 North Broad Street
Philadelphia, PA 19123




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Situated at the forefront of artistic experimentation, Bowerbird is a Philadelphia based nonprofit organization that presents music and interdisciplinary events by local and internationally recognized artists at a variety of venues across the region. The mission of Bowerbird is to raise the public’s awareness and understanding of provocative and divergent music traditions by providing numerous and diverse opportunities to directly experience the work of today’s leading artists.

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